By Thinkman · December 19, 2016
தேடிச் சோறுநிதந் தின்று - பல
சின்னஞ் சிறுகதைகள் பேசி - மனம்
வாடித் துன்பமிக உழன்று - பிறர்
வாடப் பலசெயல்கள் செய்து - நரை
கூடிக் கிழப்பருவ மெய்தி - கொடுங்
கூற்றுக் கிரையெனப்பின் மாயும் - பல
வேடிக்கை மனிதரைப் போலே - நான்
வீழ்வே னென்று நினைத் தாயோ?
Subramania Bharathi is challenging time itself. The last line comes first — that is his defiance. He opens with his challenge and then describes what he is refusing to become.
நினைத்தாயோ? — "Did you think?" (the word "that" is assumed)
நான் வீழ்வேன் என்று — "I would fall / I would die" (the word "by" is assumed)
தேடிச் சோறுநிதந் தின்று — "Searching for food every day"
பல சின்னஞ் சிறுகதைகள் பேசி — "Telling tales and gossip around"
மனம் வாடித் துன்பமிக உழன்று — "Feeling bad and worrying myself"
பிறர் வாடப் பலசெயல்கள் செய்து — "Performing deeds which hurt others"
நரை கூடிக் கிழப்பருவம் எய்தி — "Then turning grey and old"
கொடுங் கூற்றுக் கிரையெனப்பின் மாயும் — "Succumbing to time"
கூற்று refers to Yama — the god of death — which also means time itself
பல வேடிக்கை மனிதரைப் போலே — "Like so many other funny humans"
Did you think that I would die,
like so many other funny humans, who
search for food every day,
telling tales and gossip around,
feel bad and worry themselves,
and perform deeds which hurt others,
then turn grey and old,
and succumb to time?
Translation credit: Shiva Venkat, as shared in the comments of bharathiarpoem.blogspot.in
Did you think I would
spend my days in mundane search of food,
telling petty tales and gossips,
worrying myself with unwanted thoughts,
and hurting others by my acts,
and turn grey haired and old,
and end up as fodder to the
relentless march of timeless Death,
as yet another faceless man?
Bharathi's poem continues — the second verse contains his requests to God. I am deliberately leaving those out here. The reason is simple: the first verse is a masterpiece that stands entirely on its own. Once it reaches your heart and self-realisation sets in, the second paragraph becomes secondary. The challenge to time, the refusal to live an ordinary and purposeless life, the defiance against becoming just another faceless man — that is the message worth sitting with.
This poem is not just literature. It is a provocation. Bharathi is asking each of us — are you living, or are you merely existing? Are you searching for food, telling small stories, hurting people, growing old, and dying — having never once truly lived with intent?
The list he describes — the daily search for food, the gossip, the worry, the harm to others, the grey hair, the death — is not a description of a bad person. It is a description of an unconsidered life. A life lived on autopilot. And that, Bharathi suggests, is the greatest waste of all.
Did you think I would live like that?
He did not. Do you?